Unscientific American
“…Science journalism surrenders to progressive ideology…
…Today’s journalistic failings don’t owe simply to lazy reporting or a weakness for sensationalism but to a sweeping and increasingly pervasive worldview.
It is hard to put a single name on this sprawling ideology. It has its roots both in radical 1960s critiques of capitalism and in the late-twentieth-century postmodern movement that sought to “problematize” notions of objective truth. Critical race theory, which sees structural racism as the grand organizing principle of our society, is one branch. Queer studies, which seeks to “deconstruct” traditional norms of family, sex, and gender, is another. Critics of this worldview sometimes call it “identity politics”; supporters prefer the term “intersectionality.” In managerial settings, the doctrine lives under the label of diversity, equity, and inclusion, or DEI: a set of policies that sound anodyne—but in practice, are anything but.
This dogma sees Western values, and the United States in particular, as uniquely pernicious forces in world history. And, as exemplified by the anticapitalist tirades of climate activist Greta Thunberg, the movement features a deep eco-pessimism buoyed only by the distant hope of a collectivist green utopia.
The DEI worldview took over our institutions slowly, then all at once. Many on the left, especially journalists, saw Donald Trump’s election in 2016 as an existential threat that necessitated dropping the guardrails of balance and objectivity. Then, in early 2020, Covid lockdowns put American society under unbearable pressure. Finally, in May 2020, George Floyd’s death under the knee of a Minneapolis police officer provided the spark. Protesters exploded onto the streets. Every institution, from coffeehouses to Fortune 500 companies, felt compelled to demonstrate its commitment to the new “antiracist” ethos. In an already polarized environment, most media outlets lunged further left. Centrists—including New York Times opinion editor James Bennet and science writer Donald G. McNeil, Jr.—were forced out, while radical progressive voices were elevated…”
